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Léon Amiel
Gender: 
Male
publisher in New York, c. 1972
"Alalito" by Maurice Estève, pg. 45, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Alalito" by Maurice Estève, pg. 45, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Beryll" by Victor Vasarely, pg. 223, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Beryll" by Victor Vasarely, pg. 223, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Bouguet pour Fernand" by Marc Chagall, pg. 177, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Bouguet pour Fernand" by Marc Chagall, pg. 177, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Buste de femme" by André Derain, pg. 101, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Buste de femme" by André Derain, pg. 101, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Cavalier tunisien" by Kostia Terechkovitch, pg. 81, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Cavalier tunisien" by Kostia Terechkovitch, pg. 81, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Composition our Eric" by Paul Jenkins, pgs. 124-125, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Composition our Eric" by Paul Jenkins, pgs. 124-125, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Confidences" by Paul Delvaux, pg. 211, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Confidences" by Paul Delvaux, pg. 211, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Étude pour le livre 'La Religieuse Portugaise' " by Henri Matisse, pg. 57, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Étude pour le livre 'La Religieuse Portugaise' " by Henri Matisse, pg. 57, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Faillie du calcaire" by Joán Miró, pg. 137, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Faillie du calcaire" by Joán Miró, pg. 137, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Feuilles évadées" by André Beaudin, pg. 29, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Feuilles évadées" by André Beaudin, pg. 29, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Fleurs" by Alberto Giacometti, pg. 187, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Fleurs" by Alberto Giacometti, pg. 187, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Hybrid" by Graham Sutherland, pg. 247, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Hybrid" by Graham Sutherland, pg. 247, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Intérieur" by Paul Guiramand, pg. 71, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Intérieur" by Paul Guiramand, pg. 71, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"L'Arlequin" by Maurice Brianchon, pg. 7, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"L'Arlequin" by Maurice Brianchon, pg. 7, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"La femme et l'oiseau" (The woman and the bird) by André Minaux, pg. 159, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).mi
"La femme et l'oiseau" (The woman and the bird) by André Minaux, pg. 159, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).mi
"La tache rouge" by Alfred Manessier, pg. 231, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"La tache rouge" by Alfred Manessier, pg. 231, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Le chant des oiseaux" by Charles Lapicque, pg. 239, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Le chant des oiseaux" by Charles Lapicque, pg. 239, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Le départ" by André Masson, pg. 17, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Le départ" by André Masson, pg. 17, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Le seigneur et la dame" (TheLord and the Dame) by Pablo Picasso, pg. 111, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Le seigneur et la dame" (TheLord and the Dame) by Pablo Picasso, pg. 111, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Les ombelles" by Bernard Buffet, pg. 193, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Les ombelles" by Bernard Buffet, pg. 193, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).

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