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Mourlot Frères
Nationality: 
french
Gender: 
Male
Paris
"Alalito" by Maurice Estève, pg. 45, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Alalito" by Maurice Estève, pg. 45, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Beryll" by Victor Vasarely, pg. 223, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Beryll" by Victor Vasarely, pg. 223, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Black mask with horns" in the book Elegy of Ihpetonga and Masks of Ashes by Yvan Goll (translated by Babette Deutsch, Louise Bogan and Claire Goll) (New York: The Noonday Press, 1954).
"Black mask with horns" in the book Elegy of Ihpetonga and Masks of Ashes by Yvan Goll (translated by Babette Deutsch, Louise Bogan and Claire Goll) (New York: The Noonday Press, 1954).
"Black mask" in the book Elegy of Ihpetonga and Masks of Ashes by Yvan Goll (translated by Babette Deutsch, Louise Bogan and Claire Goll) (New York: The Noonday Press, 1954).
"Black mask" in the book Elegy of Ihpetonga and Masks of Ashes by Yvan Goll (translated by Babette Deutsch, Louise Bogan and Claire Goll) (New York: The Noonday Press, 1954).
"Bouguet pour Fernand" by Marc Chagall, pg. 177, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Bouguet pour Fernand" by Marc Chagall, pg. 177, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Buste de femme" by André Derain, pg. 101, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Buste de femme" by André Derain, pg. 101, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Capital Letter M," pg. 31, in the book Prométhée by Goethe (translation by André Gide) (Paris: Nicaise Editeur, 1951)
"Capital Letter M," pg. 31, in the book Prométhée by Goethe (translation by André Gide) (Paris: Nicaise Editeur, 1951)
"Capital Letter P," pg. 59, in the book Prométhée by Goethe (translation by André Gide) (Paris: Nicaise Editeur, 1951
"Capital Letter P," pg. 59, in the book Prométhée by Goethe (translation by André Gide) (Paris: Nicaise Editeur, 1951
"Capital letter P," pg. 7, in the book Prométhée by Goethe (translation by André Gide) (Paris: Nicaise Editeur, 1951)
"Capital letter P," pg. 7, in the book Prométhée by Goethe (translation by André Gide) (Paris: Nicaise Editeur, 1951)
"Cavalier tunisien" by Kostia Terechkovitch, pg. 81, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Cavalier tunisien" by Kostia Terechkovitch, pg. 81, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Composition in three colors," pg. 91, in the book Dans l'atelier de Picasso (In Picasso's Studio) by Jaime Sabartés (Paris: Fernand Mourlot, 1957).
"Composition in three colors," pg. 91, in the book Dans l'atelier de Picasso (In Picasso's Studio) by Jaime Sabartés (Paris: Fernand Mourlot, 1957).
"Composition our Eric" by Paul Jenkins, pgs. 124-125, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Composition our Eric" by Paul Jenkins, pgs. 124-125, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Composition" by Fernand Léger with poem "Berceuses pour Chalva" by Iliazd in the book Poesie de mots inconnus (The Poetry of Unknown Words), an anthology compiled by Iliazd (Paris: Ilia Zdanevitch (Iliazd), 1949).
"Confidences" by Paul Delvaux, pg. 211, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Confidences" by Paul Delvaux, pg. 211, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Death of Mira," pg. 45, in the book Prométhée by Goethe (translation by André Gide) (Paris: Nicaise Editeur, 1951)
"Death of Mira," pg. 45, in the book Prométhée by Goethe (translation by André Gide) (Paris: Nicaise Editeur, 1951)
"Devil Mask" in the book Elegy of Ihpetonga and Masks of Ashes by Yvan Goll (translated by Babette Deutsch, Louise Bogan and Claire Goll) (New York: The Noonday Press, 1954).
"Devil Mask" in the book Elegy of Ihpetonga and Masks of Ashes by Yvan Goll (translated by Babette Deutsch, Louise Bogan and Claire Goll) (New York: The Noonday Press, 1954).
"Étude pour le livre 'La Religieuse Portugaise' " by Henri Matisse, pg. 57, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Étude pour le livre 'La Religieuse Portugaise' " by Henri Matisse, pg. 57, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Faillie du calcaire" by Joán Miró, pg. 137, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Faillie du calcaire" by Joán Miró, pg. 137, in the book Souvenirs et portraits d'artistes (Reminiscences and Portraits of Artists) by Fernand Mourlot (Paris: Alain c. Mazo, 1972 and in New York: Léon Amiel, 1972).
"Faun," back cover for the book Dans l'atelier de Picasso (In Picasso's Studio) by Jaime Sabartés (Paris: Fernand Mourlot, 1957).
"Faun," back cover for the book Dans l'atelier de Picasso (In Picasso's Studio) by Jaime Sabartés (Paris: Fernand Mourlot, 1957).
"Female mask" in the book Elegy of Ihpetonga and Masks of Ashes by Yvan Goll (translated by Babette Deutsch, Louise Bogan and Claire Goll) (New York: The Noonday Press, 1954).
"Female mask" in the book Elegy of Ihpetonga and Masks of Ashes by Yvan Goll (translated by Babette Deutsch, Louise Bogan and Claire Goll) (New York: The Noonday Press, 1954).

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