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Kiyoshi Saito
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Saito is often credited with earning legitimacy for the sosaku hanga movement by winning a first prize at the 1951 Sao Paulo Biennale with his print Steady Gaze, where it was judged against paintings as well as other prints. Initially a painter himself, Saito was self-taught as a printmaker and strongly influenced by the work of Edvard Munch and Piet Mondrian, as well as by that of Onchi. In woodblock printing, Saito masterfully incorporated grain patterns into his figurative compositions; he also worked in collograph and drypoint. Saito's work held great appeal for Western collectors during the 1950s and 60s and remains notable for its combination of cultural sensibilities. Volk, Alicia. MADE IN JAPAN The Postwar Creative Print Movement. Milwaukee, Wisconsin: Milwaukee Art Museum in association with University of Washington Press, 2005, page 113. hgs 1/16/09